Monday 7 April 2008

Winding wool



Believe it or not, although I've been knitting on and off for maybe 27 years, I've just finished my very first project knitted from a skein - specifically, a skein of delicious Shepherd Worsted from Lorna's Laces, in the "Watercolor" colourway. I wound the wool ten days ago, while watching the second half of Casino Royale (see under: four-month-old baby with unpredictable evening sleep pattern; films that can if necessary be watched in eighteen-minute segments preferred).

Winding the wool took me back. I did it my grandmother's way (she knitted constantly, and was my steady source of random ends of yarn for many years - though she, and I, always called it "wool"). She showed me her winding method when I was around eleven, and I went through a phase of winding my own balls from the ends she gave me - and sometimes even from new-bought balls. They were so much nicer, with their pineappley tufts and firm thumb-holes, and so satisfying to make.

So, as James Bond suited up to face Le Chiffre across the poker table, I hung the skein around my knees, found an end, and made a figure-8 around a thumb and two fingers, winding until I had a comfortable handful. Then I laid the handful against my thumb and started winding around both, each turn slightly crossing the turn below.



As the stakes rose, the body count mounted and the question of whom to trust became steadily more open, I wound and wound, rotating the ball on my thumb, feeling it grow larger and more coherent, enjoying the softness and smoothness of the wool, the regularity of the ball's surface, and the rhythm of my progress around the skein on my knees, around, and around again.



Finally, just when it looked as though Bond had really fallen for the accountant, I came to the end of my skein, and watched the last few set-piece sequences with my hands still in my lap. Only when the credits started to roll did I pull my thumb out from its neat little burrow and admire my finished ball.



This last photo and the one at the top of the post were taken the following day, in the light. (I'm stuck with my camera phone at the moment - looking into sorting something better out soon.) To start knitting, you pull on the loopy bit at the top to retrieve your original handful of figure-8, leaving you knitting from the centre of the ball, just like my grandmother and me. No dancing, tumbling, tangling rigmarole when you want to get more yarn as you knit. So convenient!

Monday 10 March 2008

Oysterwarmer



There's a story behind this hat. A long story.

In 2006, I bought some beautiful alpaca in an orange/yellow colourway at the Knitting and Stitching Show in the RDS. I wanted to make a scarf for my then-two-year-old, and after a bit of searching I found this fabulous Short Row Rib scarf by Ceris Morgan on Magknits. This pattern gives me serious knitting glee: it's simple enough to memorise quickly, yet complex enough to remain satisfying all the way through the project - plus, it looks very impressive. It's designed for chunky yarn, but with thin yarn on 3mm needles you get a lovely scarf for a small child.

I made the yellow scarf, and it was gorgeous, and before I could even photograph it, it got lost in the park. Oh well - these are the perils of knitting for two-year-olds. He's three now, so obviously it'll never happen again...

Anyway, as the autumn of 2007 drew near, I felt the urge to try again. I bought some yummy Rowan Tapestry at This Is Knit (Whirlpool colourway), and knit a blue version of the same scarf. As I was finishing it, I realised that it would make a beautiful and unusual hatband.

So I knit another length of scarf (I was getting pretty used to the pattern by now), long enough to go around Oisín's head, and sewed the ends together. Then I got out my calculator and did the obligatory maths, picked up stitches around one edge of the band and set off for the centre, decreasing regularly as I went. When I reached the centre I finished off with a little 3-stitch I-cord.



I'm really pleased with how this design turned out: it looks more or less exactly how I imagined it would. I love the way the pattern and the yarn work together: the short-row rib pools the colours in blocks, while the rounds of the crown make stripes, which gradually widen as the round gets smaller.

Here's a moody model shot, in which you can just see the scarf peeping out at the neck of the jacket. Yes, his eyes really are that blue.